As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
Henrietta Von Harmon works as a 26 girl at a corner bar on Chicago’s northwest side. It’s 1935, but things still aren’t looking up since the big crash and her father’s subsequent suicide, leaving Henrietta to care for her antagonistic mother and younger siblings.
In desperation, Henrietta takes a job as a taxi dancer at a local dance hall, and just when she’s beginning to enjoy herself, the floor matron turns up dead. When aloof Inspector Clive Howard appears on the scene, Henrietta agrees to go undercover for him and is plunged into Chicago’s grittier underworld. While she attempts to uncover a potential serial killer, little does she know that the Inspector is keeping his secrets of his own.
I came upon this 3-part series almost by accident and quickly gobbled it up, surprised that it is not more well known. It is a fabulous upstairs/downstairs type of saga in which both the aristocracy and the servants who wait upon them are upended by the outbreak of WW1. Excellent writing; hard to put down.
Before Downton Abbey, there was Abingdon Pryory, the elegant country home of the Grevilles - a titled English family who, along with their servants, see their world turned upside down when England goes to war - and their well-kept lawns and whirling social seasons give way to the horrors of battle leaving no one, upstairs or downstairs, untouched.
While walking through a Barnes and Noble some thirty years ago, I stumbled upon Anthony Trollope—probably because he took up about three whole shelves. Curious, I chose one of his fifty novels and then another and another until I concluded that he is undoubtedly one of the most underrated authors in the English language. Both of his series—The Chronicles of Barsetshire and The Pallisers—make Downton Abbey look like upstairs/downstairs-lite. Highly recommended!
I read all of Catherine Cookson’s novels at a much too-young age, having “borrowed” them from my mom’s bookshelf when she wasn’t looking. I was immediately hooked. So many of Cookson’s books, not just The Girl, pit the wealthy, landed class against their poorer servants, and this theme made a deep impression on me. In fact, I think that Cookson, along with Dickens, probably had the most influence on my personal writing style.
She appeared in Ned Riley's stable yard like some wraith of the morning mist to seek Ned's help. Her name was Hannah Boyle, she was eight years old, and she had walked many miles from Newcastle with her mother, who was seriously ill.
Kate Morton is the penultimate professional at combining sweeping historical fiction and a mystery element. Any of her books are a delight, but I chose to showcase The House at Riverton because of its English aristocratic setting and the heavy mystery element. I adore Morton’s almost magical ability to successfully weave two or even three plotlines, all in different eras, into one tight story.
Summer 1924: On the eve of a glittering Society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again.Winter 1999: Grace Bradley, 98, one-time house-maid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks. A shocking secret threatens to emerge; something history has forgotten but Grace never could.Set as the war-shattered Edwardian…
Williams is another of my absolute favorite authors. I love anything she writes, but I chose to showcase the Schuler Sisters series because, again, it consists of an overarching saga with some fantastic mystery elements. Williams’ strength is that she is able to place the reader directly in the scene with her perfect attention to detail without overdoing it. She expertly weaves multiple storylines in different eras to produce one delicious book.
A story of love and intrigue that travels from Kennedy-era Manhattan to World War I Europe from the New York Times bestselling author of Her Last Flight and The Golden Hour.
Fresh from college, irrepressible Vivian Schuyler defies her wealthy Fifth Avenue family to work at cutthroat Metropolitan magazine. But this is 1964, and the editor dismisses her…until a parcel lands on Vivian’s Greenwich Village doorstep that starts a journey into the life of an aunt she never knew, who might give her just the story she’s been waiting for.
In 1912, Violet Schuyler Grant moved to Europe to study…
Neuroscience PhD student Frankie Conner has finally gotten her life together—she’s determined to discover the cause of her depression and find a cure for herself and everyone like her. But the first day of her program, she meets a group of talking animals who have an urgent message they refuse to share. And while the animals may not have Frankie’s exalted human brain, they know things she doesn’t, like what happened before she was adopted.
To prove she’s sane, Frankie investigates her forgotten past and conducts clandestine experiments. But just when she uncovers the truth, she has to make an…
Frankie Conner, first-year graduate student at UC Berkeley, is finally getting her life together. After multiple failures and several false starts, she's found her calling: become a neuroscientist, discover the cause of her depression and anxiety, and hopefully find a cure for herself and everyone like her.
But her first day of the program, Frankie meets a mysterious group of talking animals who claim to have an urgent message for her. The problem is, they're not willing to share it. Not yet. Not until she's ready.
While Frankie's new friends may not have her highly evolved, state-of-the-art, exalted human brain,…
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